Posts Tagged ‘unashamedly taking parts i don’t necessarily deserve’

A mercifully major key

Saturday, March 21st, 2009

So I know I’ve been delinquent in keeping this thing up to date (sorry Richard), but not without good cause. A lot is changing, and I’m always hesitant to post when that’s the case. But I suppose it’s about time.

The big news is that I’m starting at a new company on Monday: Übermind. I am joining them as a resident expert on 3D and iPhone graphics, and will be putting my background in games development to use in the creation of games and game-like programs for the iPhone. It’s an exciting new opportunity for me to get (oddly) back closer to games development than I was at ArenaNet, and working on a fun platform that I can really use the benefit of my expertise on.

This means I’m starting my green card application over for the third time, something I’m none too keen on… but I have confidence that Übermind will make it a priority. As for ArenaNet, if it seems weird that I’m leaving at this low point in the economy, our parting ways actually began all the way back in December and was a long time coming. While I can’t discuss the details of it in a public forum you may be able to wrestle more of the story from me in private… to them I say only: “farewell”.

The other, less-big-but-still-significant piece of news is that I was cast as Motel in Fiddler on the Roof a couple of weeks ago. I hadn’t even planned on auditioning for it… but I went to see my friend performing in a show up at the Historic Everett Theatre and got to talking with the director and a couple other people, and figured I’d throw my hat into the ring. Of course the role I really want to play is Tevye, but as was evidenced at the callback where there were nearly a dozen people in their forties or older up for that role and I was quite literally the only person there in my age/gender demographic, that isn’t going to be in the cards for a while yet. Which is fine, as Motel is the only other character in that show I have any real desire to play (Lazar Wolf might be okay too when I’m older, I suppose) as his song is short, sweet, in my range and in a mercifully major key.

I felt weird at the callbacks, as I was the only person called back for Motel, and had to stand there as five or six other lady actors took their turns posing next to me in consideration for the role of Tzeitel. I tried to make light of it, but all I could think was “these women must hate my guts right now” as they competed to be the “best fit” for someone whose sole demonstrable merit was being the only guy in the room who looked Jewish and was in his twenties. Our first meet-and-greet for it is tomorrow, so we’ll see how that goes. The show doesn’t go up until June, so at least there’s plenty of time for us to rehearse.

Meanwhile, at Unexpected, I’ve also been cast in their new show: “Improvise Your Own Adventure”, which as you may guess from the title is based on the old Choose Your Own Adventure series of books. The auditions for it were brief and it was another one of those “well, I wasn’t expecting to get cast in that” situations, but because it’s improvised at the theatre I’m already at anyway on most weekends it won’t really be impacting my schedule at all, so hey.

So lots of stuff going on these next few months. Übermind already needs me quite urgently for a specific product they’re developing, so I expect I will be burning the candle at both ends until it’s completed. But it’s been a while since I’ve had to do that, so that’s okay.

One rather interesting thing about working there is I will be a reverse-commuter, driving into Seattle every day and then back out to the east side in the evening. The extra distance doesn’t really bother me as long as I’m against the flow of traffic (which I certainly will be), although in talks with them there was already intimation about how long it would be before I moved to Seattle… I love my condo and my location, though, and am nowhere near ready to leave them behind, even for the thrill of city life.

What I do need, though, is a way to keep myself busy during the commutes, so I’m thinking of learning more about podcasts and trying to get the necessary setup to keep me regularly entertained by them while driving. If anyone has any experience in this area or recommendations of good podcasts to listen to, please let me know. I’m also in the market to purchase some kind of accessory for my iPhone that lets it play over my car’s FM radio while keeping it plugged into the cigarette lighter… again, recommendations are welcome.

Tonight I’m seeing Footloose at Tacoma Musical Playhouse, where I did Damn Yankees back in 2007. The show is nearly a who’s-who of people I know or have performed with in the Seattle area, so I’m excited to see it, even though driving to Tacoma is a pain.

So that’s pretty much it! This is my month of new beginnings: new job, new shows, new opportunities, and who knows what else… there’s still a good quarter of the month remaining!

Dan.

The insanity and inanity

Friday, October 24th, 2008

The last week or so has been stressful. A friend who is close to me had a health scare, and my personal life has been even more heightened and ineffable than normal. It’s Friday, though, so the show reopens tonight for its second-last weekend and I get to leave my mundane life and problems behind and go lose myself in the insanity and inanity that is my character.

Rocky Horror only has six more shows, so please buy a ticket and come see it before they all sell out! (Oh, I just stumbled on another awesome idea for cast gifts, so that’s something else I’m looking forward to.)

Out of the blue, I’ve been offered a spot through Unexpected Productions to go down to Austin, Texas for a week in November and perform improv at an annual Microsoft conference, expenses paid (and a handsome stipend for myself to boot). Normally they request six specific company members, but this year they asked for a delegation of twelve and I suppose I lucked out in getting offered a spot in the remaining six. It actually took some time to decide if I would do it, as it means liquidating my remaining vacation time for the year, and just as our team is starting to ramp up it’s size. But on further consideration and consultation I realized that I would be a complete idiot to turn down the chance to have a free vacation somewhere warm and that I’ve never been before, where I’ll be getting paid to do the thing I love alongside some of the most fantastic performers I know. So I ultimately said not so much “yes” as “hell yes”.

Once Rocky Horror wraps up I’m going to have nearly half a dozen shows of various friends to go and see, improv to catch up on, and this conference in Austin. I’m still optimistic that November will be less busy than September and October were, but the gap is narrowing.

Dan.

Tenor rock screamer

Monday, August 11th, 2008

So I realize it’s been a while since my last post, but I’ve been keeping busy. I had a stream of auditions and (what I like to think were) near-misses. Then something weird happened last Friday, when a friend let me know that the guy who had been playing Riff Raff in an upcoming production of The Rocky Horror Show down in Burien had backed out, and they were looking for a replacement.

Now Riff Raff is kind of a dream role for me, and I knew at least four of the other people who were going to be in it, so I responded and asked my friend who I should get in touch with about it. After some thought, though, I realized that it was strange that I hadn’t auditioned in the first place for it, and I wondered why. Digging up the theatre’s website and their audition page I soon realized it: they had been looking for a true “tenor rock screamer” to play the part, so when I had previously seen their audition notice I had naturally dismissed it as unattainable, as I am none of those things.

I spoke with the director on the phone and explained this to him, and said while I would love to play the part, I’d never sung any rock before, and without the aid of some kind of futuristic genetic therapy I simply wasn’t of that vocal calibre. He told me that had been their ideal and he had since come to accept that he wasn’t going to find exactly what he was looking for there, and he had seen me perform in a couple of shows before and liked my work, so if I thought I’d be able to hit the notes he’d cast me.

All I had to do at that moment was say “yes”, and I’d be in.

I hesitated, though. I told him I wanted to discuss it with my singing teacher and get back to him. I called Nikki and talked to her about it… sent her some YouTube clips of The Time Warp and Over At The Frankenstein’s Place. We discussed it and I phoned the director back and left him a message, telling him I could hit all the notes but some would have to be in my falsetto and not as strong as when Richard O’Brien sings them in the movie, but if he was okay with me backing it up with strong character choices then we’d be in business.

What followed was about the most agonizing day and a half in recent memory, while I waited impatiently for his non-response and dwelt upon the opportunity that had slipped through my fingers. Riff Raff in The Rocky Horror Show. I could have been the utterly creepy manservant who sings “The Time Warp”. The part so awesome that the writer of the show had to play it in the original stage production and in the movie adaptation. All I’d had to do was say “yes” when I had the chance… sure, I was just trying to do my due diligence, but if he said “no” after hearing of my shortcomings, or used the time to find someone else… well, sure, they were the same shortcomings I’d have anyway if I’d jumped at the offer, but he might have come to accept them more readily after working with me for a while, and I wouldn’t have missed out on what could easily be a once-in-a-blue-moon opportunity…

So I was pretty much shivering with anticipation when I finally got the call and he told me that I’d been given the role, and he’d see me on Sunday.

And just like that, I get to play Riff Raff, easily the coolest role I’ve ever had an musical. Check it out:

So now I’m plagued with insecurities about how I’m going do vocal justice to this character. At the read-through on Sunday he played music from the 2000 revival cast, and it was very clear where he got the idea for a “tenor rock screamer”, as opposed to the original version, which was rocking but nowhere near as… well, rocktacular. The director expects us to provide the usual staples of good theatre but has made it clear that this is a musical about sex, drugs and rock ‘n roll, and the importance of that third element cannot be denied.

I’ll just have to do my darnedest.

Dan.